{"id":815,"date":"2023-02-07T11:20:13","date_gmt":"2023-02-07T11:20:13","guid":{"rendered":"https:\/\/romanistyka.wn.uw.edu.pl\/?page_id=815"},"modified":"2026-02-11T21:19:11","modified_gmt":"2026-02-11T21:19:11","slug":"dryjanska-agnieszka","status":"publish","type":"page","link":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/pracownicy\/dryjanska-agnieszka\/","title":{"rendered":"Sara Del Rossi"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-794e3cfa wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"865\" height=\"1024\" src=\"https:\/\/romanistyka.wn.uw.edu.pl\/wp-content\/uploads\/2023\/09\/Del-Rossi-865x1024.jpeg\" alt=\"\" class=\"wp-image-2060\" style=\"width:176px;height:208px\" srcset=\"https:\/\/romanistyka.wn.uw.edu.pl\/wp-content\/uploads\/2023\/09\/Del-Rossi-865x1024.jpeg 865w, https:\/\/romanistyka.wn.uw.edu.pl\/wp-content\/uploads\/2023\/09\/Del-Rossi-253x300.jpeg 253w, https:\/\/romanistyka.wn.uw.edu.pl\/wp-content\/uploads\/2023\/09\/Del-Rossi-768x910.jpeg 768w, https:\/\/romanistyka.wn.uw.edu.pl\/wp-content\/uploads\/2023\/09\/Del-Rossi-1297x1536.jpeg 1297w, https:\/\/romanistyka.wn.uw.edu.pl\/wp-content\/uploads\/2023\/09\/Del-Rossi.jpeg 1377w\" sizes=\"auto, (max-width: 865px) 100vw, 865px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">dr Sara Del Rossi&nbsp;<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Pracownia Bada\u0144 nad Kultur\u0105 Kanadyjsko-Francusk\u0105 i Literatur\u0105 Quebeck\u0105<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Starszy asystent (grupa badawczo-dydaktyczna)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"mailto:s.del-rossi@uw.edu.pl\">s.del-rossi@uw.edu.pl<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>Tematyka bada\u0144<\/strong><\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Literatura i kultura kraj\u00f3w francuskoj\u0119zycznych (g\u0142\u00f3wnie Haiti, Antyli Francuskich i Quebecu), literatury rdzennych lud\u00f3w francuskoj\u0119zycznych, literatura (post)migracyjna, literatura post- i dekolonialna, teatr, formy (neo-)oralne, literatura dla dzieci i m\u0142odzie\u017cy.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading\">wybrane <strong>Publikacje<\/strong><\/h6>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Ren\u00e9 Depestre, de la lumi\u00e8re face \u00e0 la barbarie <\/em>(textes r\u00e9unis et pr\u00e9sent\u00e9s par Sara Del Rossi), <em>Interculturel Francophonies<\/em> n\u00b047, Lecce, Alliance Fran\u00e7aise de Lecce, juin.-juillet 2025, 344 str.<\/li>\n\n\n\n<li>\u00ab <em>Popa Singer<\/em>, une autofiction merveilleuse \u00bb, <em>Ren\u00e9 Depestre, de la lumi\u00e8re face \u00e0 la barbarie <\/em>(textes r\u00e9unis et pr\u00e9sent\u00e9s par Sara Del Rossi), <em>Interculturel Francophonies<\/em> n\u00b047, Lecce, Alliance Fran\u00e7aise de Lecce, juin.-juillet 2025, str. 247-267.<\/li>\n\n\n\n<li>\u00ab D\u00e9coloniser la sc\u00e8ne : lutte, r\u00e9\u00e9criture et gu\u00e9rison dans le th\u00e9\u00e2tre de Jean M\u00e9tellus et Yves Sioui Durand \u00bb, <em>Acta Philologica<\/em>, n\u00b0 63, 2025, str.79-89<\/li>\n\n\n\n<li>&nbsp;\u00ab L\u2019Italie dans les romans de Louis-Philippe Dalembert \u00bb, (avec Alessia Vignoli), Alessia Vignoli (pod red.), <em>Interculturel Francophonies<\/em>, n\u00b0 46, <em>Le r\u00e9cit transnational de Louis-Philippe Dalembert, entre Histoire, m\u00e9moire et fiction<\/em>, nov.-d\u00e9c. 2024, str. 25-68.<\/li>\n\n\n\n<li><em>O\u00f9 va le kont ? Dynamiques transculturelles de l\u2019oraliture ha\u00eftienne,&nbsp;<\/em>Paris,L\u2019Harmattan, coll. \u00ab Espaces litt\u00e9raires \u00bb, 2022. ISBN : 978-2-14-026502-0.<\/li>\n\n\n\n<li>\u00ab<em>Fanm d\u2019Ayiti<\/em>. La chanson ha\u00eftienne au f\u00e9minin en diaspora \u00bb,&nbsp;<em>Oltreoceano. Rivista sulle migrazioni<\/em>, n\u00b021, 2023, p. 55-64.&nbsp;<\/li>\n\n\n\n<li>\u00ab Le poids de l\u2019oraliture sur la litt\u00e9rature ha\u00eftienne contemporaine \u00bb, Zil\u00e1 Bernd, Bernard Andr\u00e8s i Vinesh Y. Hookoomsing (pod red.),&nbsp;<em>D\u2019Haiti aux trois Am\u00e9riques. Hommage \u00e0 Maximilien Laroche<\/em>, Laval, GRELCA, Collection \u00ab Essais \u00bb n\u00b022, 2021, str. 134-154. ISBN : 978-2-922736-08-3.<\/li>\n\n\n\n<li>\u00ab Le drame de la migration racont\u00e9 aux enfants:&nbsp;<em>Et moi, je suis une \u00eele<\/em>&nbsp;d\u2019Anthony Phelps \u00bb, Victoria Famin (pod red.),&nbsp;<em>Anthony Phelps : la force po\u00e9tique d\u2019une voix envo\u00fbtante et d\u2019une \u00e9criture exigeante<\/em>, Lecce, Alliance Fran\u00e7aise, coll.&nbsp;&nbsp;\u00ab&nbsp;Interculturel Francophonie \u00bb, n\u00b039, 2021, str. 231-248. ISBN : 978-88-95343-41-9.<\/li>\n\n\n\n<li>\u00ab Les Ha\u00eftiens de Montr\u00e9al. Repr\u00e9sentation de la communaut\u00e9 ha\u00eftienne montr\u00e9alaise dans les lodyans de Georges Anglade et Stanley P\u00e9an \u00bb,&nbsp;<em>\u00c9cho des \u00e9tudes romanes. Revue semestrielle de linguistique et litt\u00e9ratures romanes<\/em>, vol. XVI, n\u00b01-2, 2020, str. 63-74.<\/li>\n\n\n\n<li>Wi\u0119cej&nbsp;:&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/orcid.org\/0000-0003-4897-0236\" target=\"_blank\">https:\/\/orcid.org\/0000-0003-4897-0236<\/a>&nbsp;&nbsp;<\/li>\n<\/ul>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PRZEBIEG KARIERY NAUKOWEJ<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020: Doktorat z wyr\u00f3\u017cnieniem w dziedzinie nauk humanistycznych w dyscyplinie literaturoznawstwo,&nbsp;Wydzia\u0142 Neofilologii UW.&nbsp;Praca doktorska:<em>&nbsp;O\u00f9 va le conte? Dynamique transculturelle de l\u2019oraliture ha\u00eftienne<\/em>&nbsp;napisana pod kierunkiem prof. dr hab.&nbsp;J\u00f3zefa Kwaterko.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2013:&nbsp;Studia magisterskie&nbsp;<em>cum Laude<\/em>,&nbsp;Uniwersytet Ca&#8217; Foscari, Wenecja.&nbsp;Praca magisterska:&nbsp;<em>Le Roman de Bouqui. Une r\u00e9\u00e9criture du cycle ha\u00eftien de Malice et Bouki. Analyse du folklore et de la soci\u00e9t\u00e9 d\u2019Ha\u00efti dans l\u2019ouvrage de Suzanne Comhaire- Sylvain&nbsp;<\/em>napisana pod kierunkiem dr hab.&nbsp;Alessandro Costantini.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018-2021:&nbsp;Kierownik projektu badawczego pt.:&nbsp;\u201eDynamika rozwoju haita\u0144skiej opowie\u015bci ludowej\u201d&nbsp;w ramach grantu Narodowego Centrum Nauki.&nbsp;Nr ewidencyjny&nbsp;2017\/27\/N\/HS2\/00675,&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/projekty.ncn.gov.pl\/index.php?projekt_id=392964\" target=\"_blank\">https:\/\/projekty.ncn.gov.pl\/index.php?projekt_id=392964<\/a>&nbsp;&nbsp;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>Dzia\u0142alno\u015b\u0107<\/strong><\/h6>\n\n\n\n<p class=\"wp-block-paragraph\">Cz\u0142onek Komisji ds. Zr\u00f3wnowa\u017conego Rozwoju, Wydzia\u0142 Neofilologii UW (od 2024)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wsp\u00f3\u0142pracownik naukowy w grupie badawczej <em>Microforma<\/em>, Wydzia\u0142 Neofilologii UW (od 2024)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Wsp\u00f3\u0142pracownik naukowy w grupie badawczej <em>ECO\/EGO<\/em>, Wydzia\u0142 Neofilologii UW (od 2025)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">od 2023: Wsp\u00f3\u0142pracownik naukowy w <em>Pracowni Bada\u0144 nad Kultur\u0105 Franko-Kanadyjsk\u0105 i Literatur\u0105 Quebecu<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021-2023: Wsp\u00f3\u0142pracownik Wydzia\u0142u Neofilologii UW<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Od 2017: Wyk\u0142adowca, Uniwersytet Otwarty UW (Nagroda dla najlepszych wyk\u0142adowc\u00f3w UOUW w 2018, 2021, 2022, 2023, 2024, 2025)<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CZ\u0141ONKOSTWO W ORGANIZACJACH I STOWARZYSZENIACH<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">SOCARE (Society of Caribbean Research)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cz\u0142onek AIEQ (Association Internationale \u00c9tudes Qu\u00e9b\u00e9coises).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cz\u0142onek CIEF (Conseil International d&#8217;\u00c9tudes Francophones).<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>INNE<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cz\u0142onek rady redakcyjnej czasopism naukowych&nbsp;<em>Il Tolomeo<\/em>&nbsp;(Universit\u00e0 Ca\u2019 Foscari, Wenecja) i&nbsp;<em>Interfrancophonies<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recenzent&nbsp;dla czasopism naukowych&nbsp;<em>Il Tolomeo<\/em>&nbsp;(Universit\u00e0 Ca\u2019 Foscari, Wenecja),&nbsp;<em>\u00c9cho des \u00e9tudes romanes<\/em>&nbsp;(Uniwersytet Po\u0142udniowoczeski, Czeskie Budziejowice),&nbsp;<em>Ethnologies&nbsp;<\/em>(Uniwersytet Laval),&nbsp;<em>Small Axe Journal<\/em>&nbsp;(Columbia University Press), <em>Acme <\/em>(Uniwersytet Mediolanum); Wydawnictwo <em>Peter Lang<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">od 2021: ekspert merytoryczny&nbsp;(Literatura francuska &#8211; L-LIN\/03), Uniwersytet Ca&#8217; Foscari, Wenecja.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HOBBY<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Muzyka na \u017cywo, film, sztuka, teatr, przyroda i ekologia, gry wideo.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>dr Sara Del Rossi&nbsp; Pracownia Bada\u0144 nad Kultur\u0105 Kanadyjsko-Francusk\u0105 i Literatur\u0105 Quebeck\u0105 Starszy asystent (grupa badawczo-dydaktyczna) s.del-rossi@uw.edu.pl Tematyka bada\u0144 Literatura i kultura kraj\u00f3w francuskoj\u0119zycznych (g\u0142\u00f3wnie Haiti, Antyli Francuskich i Quebecu), literatury rdzennych lud\u00f3w francuskoj\u0119zycznych, literatura (post)migracyjna, literatura post- i dekolonialna, teatr, formy (neo-)oralne, literatura dla dzieci i m\u0142odzie\u017cy. wybrane Publikacje PRZEBIEG KARIERY NAUKOWEJ 2020: Doktorat [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":802,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-815","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/comments?post=815"}],"version-history":[{"count":8,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/815\/revisions"}],"predecessor-version":[{"id":7351,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/815\/revisions\/7351"}],"up":[{"embeddable":true,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/802"}],"wp:attachment":[{"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/media?parent=815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}