{"id":489,"date":"2023-02-06T08:42:12","date_gmt":"2023-02-06T08:42:12","guid":{"rendered":"https:\/\/romanistyka.wn.uw.edu.pl\/?page_id=489"},"modified":"2025-04-30T02:38:51","modified_gmt":"2025-04-30T02:38:51","slug":"doktoraty-i-habilitacje","status":"publish","type":"page","link":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/doktoraty-i-habilitacje\/","title":{"rendered":"Doktoraty i habilitacje"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h6 class=\"wp-block-heading\">Doktoraty Instytutu Romanistyki<\/h6>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2023<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Joanna Augustyn, \u201eAmbivalences sexuelles dans la litt\u00e9rature narrative de la France<br>m\u00e9di\u00e9vale<br>Promotorka pracy: dr hab. Agata Sobczyk.<\/p>\n\n\n\n<p><br>Stanis\u0142aw \u015awitlik, Icosam\u00e9ron \u2013\u00a0la m\u00e9tafiction utopique de Giacomo Casanova\u00a0<br>Promotorka pracy: prof. dr hab. Izabella Zatorska.<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2022<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Zofia Litwinowicz-Krutnik, Joseph Mal\u00e8gue dans l\u2019histoire litt\u00e9raire et religieuse de son temps. De la pens\u00e9e \u00e0 l\u2019\u00e9criture\u00a0<br>Promotorzy pracy\u00a0:<br>prof. dr hab. Remigiusz Forycki,<br>prof. Dominique Millet-Gerard, emerytowana profesor Sorbony<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2020<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Jan Kaznowski, M\u0142ode lata Honoriusza Balzaka<br>promotor: prof. Zbigniew Naliwajek<\/p>\n\n\n\n<p>Agata Marz\u0119cka, Mity Joanny d\u2019Arc w Polsce<br>promotor: prof. Zbigniew Naliwajek<\/p>\n\n\n\n<p>Ala Jaworska, Les \u00e9v\u00e9nements socio-politiques dans les quotidiens Le Figaro et Le Monde selon la m\u00e9thode de l&#8217;\u00c9cole fran\u00e7aise d&#8217;analyse du discours.<br>promotor: prof. dr hab. El\u017cbieta Pachoci\u0144ska<\/p>\n\n\n\n<p>Sara del Rossi, O\u00f9 va le conte? Dynamique transculturelle de l\u2019oraliture ha\u00eftienne.<br>promotor: prof. dr hab. J\u00f3zef Kwaterko<\/p>\n\n\n\n<p>Allesia Vignoli, La catastrophe naturelle en litt\u00e9rature : \u00e9critures franco-carib\u00e9ennes.<br>promotor: prof. dr hab. J\u00f3zef Kwaterko<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2019<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>K\u00e9vin Francois , Mi\u0119dzy gr\u0105 a odkrywaniem siebie. Aspekty przestrzeni w opowiadaniu fantastycznym w okresie symbolizmu francuskiego<br>Promotor : dr hab. Judyta Zbierska-Mo\u015bcicka<\/p>\n\n\n\n<p>Marta Wojakowska, D\u00e9velopper la comp\u00e9tence plurilingue et pluriculturelle en classe de Fran\u00e7ais sur<br>Objectifs Sp\u00e9cifiques (exemple du fran\u00e7ais de la diplomatie)<br>Promotor : dr hab. prof. UW Jolanta Sujecka-Zajac<\/p>\n\n\n\n<p>Katarzyna Ma\u0142ecka-Kujunxhiu, Od wiedzy deklaratywnej do proceduralnej w nauczeniu\/uczeniu si\u0119 j\u0119zyka obcego<br>Promotor : dr hab. prof. UW Jolanta Sujecka-Zajac<\/p>\n\n\n\n<p>Anna Grabowska, Rozw\u00f3j kompetencji interkulturowych i refleksyjno\u015bci przysz\u0142ych nauczycieli j\u0119zyk\u00f3w obcych. Studium wybranych europejskich program\u00f3w edukacyjnych<br>Promotor : dr hab. prof. UW Jolanta Sujecka-Zajac<\/p>\n\n\n\n<p>Marta Szostek-Radomska, Le mythe de l&#8217;androgyne dans la litt\u00e9rature fran\u00e7aise fin-de-si\u00e8cle et dans la litt\u00e9rature polonaise \u00e0 l&#8217;\u00e9poque de la Jeune Pologne<br>Promotor : prof. dr hab. Remigiusz Forycki<br>Wsp\u00f3\u0142promotor: prof. Dominique Millet-G\u00e9rard<\/p>\n\n\n\n<p>Julia \u0141ukasiak , Brueglowski atlas pami\u0119ci.Przemiany postrzegania tw\u00f3rczo\u015bci Pietera Bruegla Starszego we wsp\u00f3\u0142czesnej frankofo\u0144skiejliteraturze belgijskiej (Dominique Rolin, Pierre Mertens i Guy Goffette)<br>Promotor : dr hab. Judyta Zbierska-Mo\u015bcicka<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2018<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Marta \u0141azarczyk, J\u0119zykowy obraz g\u0142upoty. Analiza komparatystyczna dla j\u0119zyk\u00f3w francuskiego, polskiego i angielskiego<br>Promotor : dr hab. prof. UW Anna Kieliszczyk<\/p>\n\n\n\n<p>Karolina Wawrzonek, Funkcje poradnika metodycznego w praktyce dydaktycznej nauczycieli j\u0119zyk\u00f3w obcych (na przyk\u0142adzie j\u0119zyka francuskiego)<br>Promotor : prof. dr hab. Jolanta Sujecka-Zaj\u0105c<\/p>\n\n\n\n<p>Ewa Brzeska, Recepcja tw\u00f3rczo\u015bci Samuela Becketta w Polsce<br>Promotor : prof. UW dr hab. Zbigniew Naliwajek<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2017<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Anna Ciostek, Polska terminologia unijna i&nbsp;<em>brukselizmy<\/em>: pr\u00f3ba systematyzacji<br>Promotor : prof. dr hab. Teresa Giermak-Zieli\u0144ska<\/p>\n\n\n\n<p>Magdalena Grycan, J\u0119zyk i to\u017csamo\u015b\u0107 w do\u015bwiadczaniu potr\u00f3jnej przynale\u017cno\u015bci: socjolingwistyczne studium przypadk\u00f3w polsko-\u017cydowsko-francuskich<br>Promotor : dr hab. prof. UW Krystyna Wr\u00f3blewska-Pawlak<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2016<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Christine Martinez, Les collocations avec l&#8217;adjectif \u00e9cologique et ses quasi synonymes. Analyse s\u00e9mantico-discursive.<br>Promotor: dr hab. prof. UW El\u017cbieta Pachoci\u0144ska<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2015<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Agnieszka Dryja\u0144ska, J\u0119zykowe wyk\u0142adniki kszta\u0142towania postaw etycznych uczni\u00f3w na lekcji j\u0119zyka obcego (na przyk\u0142adzie polskiego szkolnictwa katolickiego)<br>Promotor : dr hab. prof. UW Jolanta Sujecka-Zajac<\/p>\n\n\n\n<p>S\u00e9bastien Ducourtioux, La t\u00e2che multim\u00e9dia dans un enseignement\/apprentissage hybride du FLE en Pologne<br>Promotor : dr hab. prof. UW Jolanta Sujecka-Zajac<\/p>\n\n\n\n<p>Karolina Ro\u017cek, Le spectacle de la guillotine au XIXe si\u00e8cle en France &#8211; entre th\u00e9\u00e2tralit\u00e9 et th\u00e9\u00e2tralisation<br>Promotor : prof. dr hab. Remigiusz Forycki<\/p>\n\n\n\n<p>Dorota Ch\u0142anda, \u00ab Tempus edax rerum \u00bb (\u00ab Le temps rongeur d\u00e9vore tout \u00bb, Ovide).<br>Le voyage sur ses propres pas dans les \u00e9crits du prince Henryk Lubomirski<br>Promotor: dr hab. prof. UW Izabella Zatorska<br>Wsp\u00f3\u0142promotor: Sarga Moussa<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2014<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Dorota Nowak-Baranowska, Lecture anthropologique de l\u2019\u0153uvre de Pierre Jean Jouve<br>Promotor : dr hab. prof. UW Zbigniew Naliwajek<\/p>\n\n\n\n<p>Ma\u0142gorzata Molska, Wp\u0142yw oceniania kszta\u0142tuj\u0105cego na rozw\u00f3j kompetencji pisania rozszerzonej wypowiedzi otwartej w procesie nauczania\/uczenia si\u0119 j\u0119zyka (na przyk\u0142adzie j\u0119zyka francuskiego)<br>Promotor: dr hab. prof. UW Jolanta Sujecka-Zajac<\/p>\n\n\n\n<p>Micha\u0142 Obszy\u0144ski, Id\u00e9ologie et po\u00e9tique. Manifestes et programmes litt\u00e9raires aux Cara\u00efbes francophones (XXe si\u00e8cle)<br>Promotor : prof. dr hab. J\u00f3zef Kwaterko<\/p>\n\n\n\n<p>Justyna Zych, L\u2019influence de la psychanalyse sur la critique litt\u00e9raire en France (1914-1939)<br>Promotor : prof. dr hab. Henryk Chudak<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2013<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Ma\u0142gorzata Piotrowska-Skrzypek, Rozwijanie wybranych kompetencji kluczowych w procesie uczenia si\u0119\/nauczania j\u0119zyk\u00f3w obcych (na przyk\u0142adzie j\u0119zyka francuskiego jako obcego)<br>Promotor: dr hab. prof. UW Jolanta Sujecka-Zajac<\/p>\n\n\n\n<p>Ma\u0142gorzata Zawadzka, Jean Cocteau: Le po\u00e8te face aux arts plastiques<br>Promotor : prof. dr hab. Henryk Chudak<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2011<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Anna Opiela, La musique dans la pens\u00e9e et dans l\u2019\u0153uvre de Stendhal et de Nerval<br>promotor : dr hab. prof. UW. Zbigniew Naliwajek<\/p>\n\n\n\n<p>Ma\u0142gorzata Soko\u0142owicz, La cat\u00e9gorie du h\u00e9ros romantique dans la po\u00e9sie fran\u00e7aise et polonaise au XIXe si\u00e8cle<br>promotor : dr hab. prof. UW Zbigniew Naliwajek<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2010<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Anna Kociuba, Pr\u00e9positions fran\u00e7aises exprimant le but et leurs \u00e9quivalents polonais<br>promotor : prof. dr hab. Krzysztof Bogacki<\/p>\n\n\n\n<p>Filip Kwiatek, Odnowa my\u015bli chrze\u015bcija\u0144skiej we Francji i w Polsce w I po\u0142owie XX wieku. Korespondencja i dzienniki \u2013 krytyka literacka \u2013 literatura pi\u0119kna.<br>promotor : dr hab. prof. UW Zbigniew Naliwajek<\/p>\n\n\n\n<p>Maciej Smuk, Wyzwania dla autentyczno\u015bci w uj\u0119ciu glottodydaktycznym<br>promotor : dr hab. prof. UW Jolanta Zaj\u0105c<\/p>\n\n\n\n<p>Rados\u0142aw Kucharczyk, D\u00e9velopper la comp\u00e9tence pragmatique \u00e0 l\u2019oral dans l\u2019enseignement\/apprentissage des langues (exemple du FLE)<br>promotor : dr hab. prof. UW Jolanta Zaj\u0105c<\/p>\n\n\n\n<p>Sylwia Sawicka, Le roman policier contemporain au Qu\u00e9bec : construction g\u00e9n\u00e9rique et fonctions esth\u00e9tiques<br>promotor : prof. dr hab. J\u00f3zef Kwaterko<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2009<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Tina Mouneim\u00e9-Wojtas Vers l\u2019imaginaire migrant. La fiction narrative des \u00e9crivains immigrants francophones au Qu\u00e9bec (1980 \u2013 2000)<br>promotor : prof. dr hab. J\u00f3zef Kwaterko<\/p>\n\n\n\n<p>Tomasz Szyma\u0144ski, La th\u00e9orie des \u00ab correspondances \u00bb dans l\u2019\u0153uvre de Charles Baudelaire<br>promotor : prof. dr hab. Remigiusz Forycki<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2008<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Agata Sadkowska, Edmond et Jules de Goncourt en Pologne. 1860-1918<br>promotor : dr hab. prof. UW Zbigniew Naliwajek<\/p>\n\n\n\n<p>Agata Sylwestrzak-Wszelaki, L\u2019identit\u00e9 probl\u00e9matique. Langue et m\u00e9moire dans les romans d\u2019Andre\u00ef Makine<br>promotor : prof. dr hab. J\u00f3zef Kwaterko<\/p>\n\n\n\n<p>Agnieszka Janion, Retoryka w wywiadach prasowych. Analiza technik dziennikarskich<br>promotor : prof. dr hab. Teresa Giermak-Zieli\u0144ska<\/p>\n\n\n\n<p>Anna Sieroszewska-Kwiatek, Romain Rolland et Stanis\u0142aw Brzozowski \u00e0 la recherche d\u2019un nouvel homme<br>promotor : dr hab. prof. UW Zbigniew Naliwajek<\/p>\n\n\n\n<p>Zofia Machnicka Tristan Tzara et les arts plastiques (1915-1924)<br>promotor : prof. dr hab. Henryk Chudak<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2007<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Aleksandra Markowicz-\u017bukowska, Nominalne konstrukcje utarte we francuskiej i polskiej terminologii medycznej<br>promotor : prof. dr hab. Teresa Giermak-Zieli\u0144ska<\/p>\n\n\n\n<p>Dariusz Krawczyk, Dialectique de la parole. \u00c9tude de la po\u00e9sie et du th\u00e9\u00e2tre de Marguerite de Navarre promotor : prof. dr hab. Jan Miernowski<\/p>\n\n\n\n<p>Eryk Stachurski, \u00catre et avoir dans les textes fran\u00e7ais du IXe au XIIe si\u00e8cle : du verbe plein \u00e0 l\u2019auxiliaire<br>promotor : prof. dr hab. Teresa Giermak-Zieli\u0144ska<\/p>\n\n\n\n<p>Kamil Popowicz, Teorie rasowe i rasistowskie a lamarckizm spo\u0142eczny<br>promotor : prof. dr hab. Remigiusz Forycki<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2006<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Katarzyna Wo\u0142owska, Le paradoxe en langue et en discours: actualisation et neutralisation<br>promotor :prof. dr hab. Anna Ma\u0144kowska<\/p>\n\n\n\n<p>Monika Malinowska, Sytuacja kobiety w siedemnastowiecznej Francji i Polsce<br>promotor : dr hab. prof. UW Zbigniew Naliwajek<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2005<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Agnieszka Stel\u0119gowska-Rabe, La formation de la m\u00e9moire de la R\u00e9vocation de l\u2019\u00c9dit de Nantes : les \u00e9crits des R\u00e9form\u00e9s r\u00e9dig\u00e9s entre 1680 et 1700, 2005 (doctorat en co-tutelle avec Bernard Roussel)<br>promotor : prof. dr hab. Piotr Salwa<\/p>\n\n\n\n<p>Agnieszka W\u0142oczewska, Pour une lecture s\u00e9miologique du th\u00e9\u00e2tre de Jean-Paul Sartre (1943-1946)<br>promotor : prof. dr hab. Henryk Chudak<\/p>\n\n\n\n<p>Alicja Koziej, Le jeu compensatoire du temps et de l\u2019espace dans la po\u00e9sie de Saint-John Perse<br>promotor : prof. dr hab. Henryk Chudak<\/p>\n\n\n\n<p>Edyta Kociubi\u0144ska, La permanence du naturalisme dans l\u2019\u0153uvre deJoris-Karl Huysmans (obrona na Katolickim Uniwersytecie Lubelskim)<br>promotor : dr hab. prof. UW Zbigniew Naliwajek<\/p>\n\n\n\n<p>Joanna Cholewa, Image encyclop\u00e9dique et linguistique du chat et du chien en fran\u00e7ais et en polonais contemporains<br>promotor : prof. dr hab. Krzysztof Bogacki<\/p>\n\n\n\n<p>Karol St\u0119pie\u0144, Mechanizmy przek\u0142adu wulgaryzm\u00f3w z j\u0119zyka francuskiego na j\u0119zyk polski w wybranych tekstach literackich<br>promotor : dr hab. prof. UW Anna Ma\u0144kowska<\/p>\n\n\n\n<p>Katarzyna Maria Rodrigo Pereira, Charles P\u00e9guy i Biblia. Analiza filologicznych i teologicznych cech symbolu biblijnego jako klucz interpretacyjny tw\u00f3rczo\u015bci P\u00e9guy\u2019ego<br>promotor : dr hab. prof. UW Zbigniew Naliwajek<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2004<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Justyna \u015awi\u0105tkowska, La repr\u00e9sentation du feu en fran\u00e7ais et en polonais<br>promotor : prof. dr hab. Krzysztof Bogacki<\/p>\n\n\n\n<p>Krzysztof Mr\u00f3z, Teoria i praktyka przek\u0142adu poetyckiego. Mieczys\u0142aw Jastrun \u2013 t\u0142umacz symbolist\u00f3w francuskich<br>promotor : dr hab. prof. UW Zbigniew Naliwajek<\/p>\n\n\n\n<p>Marcin Klik, La critique litt\u00e9raire de Jean Starobinski<br>promotor : prof. dr hab. Henryk Chudak<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2003<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Adrianna Siennicka, Il linguaggio politico del Novecento. Procedimenti retorici atti a persuadere l\u2019auditorio nelle allocuzioni di Benito Mussolini<br>promotor : prof. dr hab. Teresa Giermak-Zieli\u0144ska<\/p>\n\n\n\n<p>Anita Staro\u0144, L\u2019art romanesque d\u2019Octave Mirbeau. Th\u00e8mes et techniques (obrona na Uniwersytecie \u0141\u00f3dzkim)<br>promotor : dr hab. prof. UW Zbigniew Naliwajek<\/p>\n\n\n\n<p>Judyta Zbierska-Mo\u015bcicka, Symboliczna nowela belgijska na przyk\u0142adzie tw\u00f3rczo\u015bci Charles\u2019a Van Lerberghe\u2019a<br>promotor : prof. dr hab. Halina Suwa\u0142a<\/p>\n\n\n\n<p>Krystyna Szymankiewicz, Dyskurs edukacyjny na lekcji j\u0119zyka obcego<br>promotor : prof. dr hab. El\u017cbieta Zawadzka<\/p>\n\n\n\n<p>Ma\u0142gorzata Izert, Les expressions Adj comme SN et l\u2019intensification de la propri\u00e9t\u00e9<br>promotor : prof. dr hab. Teresa Giermak-Zieli\u0144ska<\/p>\n\n\n\n<p>Wanda Jadacka, Les infinitifs \u00e0 sujet z\u00e9ro dans le fran\u00e7ais contemporain<br>promotor : prof. dr hab. Teresa Giermak-Zieli\u0144ska<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2001<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Dorota Szeliga, Jean Parmentier (1494-1529), navigateur, po\u00e8te, humaniste<br>promotor : prof. dr hab. Krystyna Kasprzyk<\/p>\n\n\n\n<p>Maria Za\u0142\u0119ska, Gli usi modali dell\u2019indicativo nell\u2019italiano parlato<br>promotor : prof. dr hab. Teresa Giermak-Zieli\u0144ska<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2000<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Monika Kulesza, Le romanesque dans les lettres de Madame de S\u00e9vign\u00e9<br>promotor : prof. dr hab. Halina Suwa\u0142a<\/p>\n\n\n\n<p>Teresa Utzig, Argumentacja w podr\u0119cznikach do nauki j\u0119zyka francuskiego<br>promotor : prof. dr hab. Krzysztof Bogacki<\/p>\n\n\n\n<p>Wies\u0142aw Kroker, La pens\u00e9e critique de Georges Poulet<br>promotor : prof. dr hab. Henryk Chudak<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1999<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Tomasz Kaczmarek, Henri-Ren\u00e9 Lenormand et l\u2019expressionnisme dramatique, 1999 (doctorat en co-tutelle avec Pierre Brunel, obrona na Uniwersytecie \u0141\u00f3dzkim)<br>promotor : dr hab. prof. UW Zbigniew Naliwajek<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1998<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Ewa Pilecka, Proces metaforycznych zmian znaczenia w polu semantycznym przymiotnik\u00f3w oznaczaj\u0105cych cechy fizyczne<br>promotor : prof. dr hab. Teresa Giermak-Zieli\u0144ska<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1997<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Agnieszka K\u0142osi\u0144ska-Nachin, Mon\u00f3logo interior en la novela espa\u00f1ola. T\u00e9cnica narrativa y visi\u00f3n del mundo (obrona na Uniwersytecie \u0141\u00f3dzkim)<br>promotor : dr hab. prof. UW Zbigniew Naliwajek<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1996<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Anna Kieliszczyk, Les connecteurs d\u2019opposition en fran\u00e7ais et en polonais<br>promotor : prof. dr hab. Teresa Giermak-Zieli\u0144ska<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1995<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Jolanta Zaj\u0105c, Od nauczania cywilizacji do refleksji interkulturowej<br>promotor : prof. dr hab. Wanda Krzemi\u0144ska<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1994<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Izabella Zatorska, Le discours utopique dans le th\u00e9\u00e2tre de Marivaux<br>promotor : prof. dr hab. Ewa Rzadkowska<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1990<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Anna Dutka, Argumentation et discours de la presse : \u00e0 l\u2019exemple de \u00ab Les Nouveaux Temps \u00bbet \u00ab Le Temps \u00bb<br>promotor : prof. dr hab. Krzysztof Bogacki<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1987<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Agnieszka Kury\u015b, \u201eHistoire de ma vie\u201d George Sand \u2013 problemy autobiografii<br>promotor : prof. dr hab. Jerzy Parvi<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1986<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Adam Elbanowski, Opowiadania fantastyczne Julio Cortazara: struktura, model i funkcja fantastyki w \u201eRelatos\u201d<br>promotor : prof. dr hab. Jerzy Parvi<\/p>\n\n\n\n<p>J\u00f3zef Kwaterko, Le roman qu\u00e9b\u00e9cois de 1960 \u00e0 1975 : id\u00e9ologie et repr\u00e9sentation litt\u00e9raire<br>promotor : prof. dr hab. Jerzy Parvi<\/p>\n\n\n\n<p>Teresa Tomaszkiewicz, \u00c9tude comparative de quelques indices du concept d\u2019\u00e9nonciation en fran\u00e7ais et en polonais<br>promotor : prof. dr hab. Krzysztof Bogacki<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1984<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>El\u017cbieta Jamrozik : La syntaxe et la s\u00e9mantique des verbes informatifs fran\u00e7ais<br>promotor : prof. dr hab. Krzysztof Bogacki<\/p>\n\n\n\n<p>Waldemar Janiec, \u201ePrzypadki Telemacha\u201d Fran\u00e7ois F\u00e9n\u00e9lona w Polsce XVIII wieku<br>promotor : prof. dr hab. Ewa Rzadkowska<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1983<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Ma\u0142gorzata Szyma\u0144ska, Explication de textes : nouveaux objectifs, nouvelles techniques<br>promotor : prof. dr hab. Halina Suwa\u0142a<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1982<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Barbara Okolska, Gatunek science-fiction i jego kszta\u0142towanie si\u0119 w literaturze francuskiej ko\u0144ca XIX i na pocz\u0105tku XX wieku<br>promotor : prof. dr hab. Jerzy Parvi<\/p>\n\n\n\n<p>Joanna \u017burowska, Polska recepcja Paw\u0142a Val\u00e9ry w latach 1923-1939<br>promotor : prof. dr hab. Maciej \u017burowski<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1981<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Gra\u017cyna Bogus\u0142awska, Verbes de sentiment en fran\u00e7ais contemporain. \u00c9tude s\u00e9mantique et syntaxique<br>promotor : prof. dr hab. Halina Lewicka<\/p>\n\n\n\n<p>Marek Ostaszewicz, Losy tragedii wolteria\u0144skiej w Polsce do roku 1830<br>promotor : prof. dr hab. Ewa Rzadkowska<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1980<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Jadwiga Warcho\u0142, Powiastki Woltera w polskim O\u015bwieceniu: przek\u0142ad czy adaptacja?<br>promotor : prof. dr hab. Ewa Rzadkowska<\/p>\n\n\n\n<p>Kazimierz Sabik, Recepcja prozy hiszpa\u0144skiej w Polsce w latach 1781-1918<br>promotor : prof. dr hab. Halina Lewicka<\/p>\n\n\n\n<p>Teresa Jaroszewska, L\u2019influence de la com\u00e9die italienne au XVIe si\u00e8cle en France (vue \u00e0 travers le vocabulaire et d\u2019autres t\u00e9moignages)<br>promotor : prof. dr hab. Halina Lewicka<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1979<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Leszek W\u00f3jcik, Praeteritum i Perfectum w j\u0119zyku hiszpa\u0144skim i portugalskim<br>promotor : prof. dr hab. Halina Lewicka<\/p>\n\n\n\n<p>Zdzis\u0142aw Ry\u0142ko, Apollinaire i Polska. Wi\u0119zy rodzinne i pocz\u0105tki recepcji.<br>promotor : prof. dr hab. Maciej \u017burowski<\/p>\n\n\n\n<p>Andrzej Siemek, La recherche morale et esth\u00e9tique dans le roman de Cr\u00e9billon fils<br>promotor : prof. dr hab. Ewa Rzadkowska<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1978<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Piotr Salwa, Le \u201eD\u00e9cameron\u201d et son adaptation fran\u00e7aise (A.Verard 1585). \u00c9tude des mentalit\u00e9s<br>promotor : prof. dr hab. Krystyna Kasprzyk<\/p>\n\n\n\n<p>Adam Stepnowski, Pocz\u0105tki tw\u00f3rczo\u015bci dramaturgicznej Racine\u2019a) \u201eTebaida\u201d i \u201eAleksander Wielki\u201d)<br>promotor : prof. dr hab. Ewa Rzadkowska<\/p>\n\n\n\n<p>Ewa \u017b\u00f3\u0142kiewska, Lai et roman \u2013 \u00e9tude des genres narratifs du XIIe et du XIIIe si\u00e8cles<br>promotor : prof. dr hab. Krystyna Kasprzyk<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1977<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Gra\u017cyna P\u0119kala, Montaigne dans la relation avec autrui et soi-m\u00eame<br>promotor : prof. dr hab. Krystyna Kasprzyk<\/p>\n\n\n\n<p>Joanna Arnold-Ejsmont, Souffrance, justice, passion partisane: notions cl\u00e9s des \u201eTragiques\u201d d\u2019Agrippa d\u2019Aubign\u00e9<br>promotor : prof. dr hab. Krystyna Kasprzyk<\/p>\n\n\n\n<p>Remigiusz Forycki, Recepcja dramaturgii Wiktora Hugo w latach 1928-1963 w krytyce i na scenach polskich<br>promotor : prof. dr hab. Jerzy Parvi<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1976<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Alina Kreisberg, Kategorie czasu i aspektu w j\u0119zyku polskim i w\u0142oskim<br>promotor : prof. dr hab. Halina Lewicka<\/p>\n\n\n\n<p>Lucjan Grobelak, La pr\u00e9sence intellectuelle de la France en Pologne aux XVIe -XVIIIe si\u00e8cles. Enseignement \u2013 publications \u2013 p\u00e9dagogie<br>promotor : prof. dr hab. Ewa Rzadkowska<\/p>\n\n\n\n<p>Teresa Giermak-Zieli\u0144ska, Polskie czasownikowe przedrostki przestrzenne i ich francuskie odpowiedniki<br>promotor : prof. dr hab. Halina Lewicka<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1975<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Anna Kuku\u0142ka-Wojtasik, Montaigne et la libert\u00e9<br>promotor : prof. dr hab. Krystyna Kasprzyk<\/p>\n\n\n\n<p>Halina Bernhardt-Kralowa, Italo Svevo. Drobne utwory narracyjne<br>promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n\n\n<p>Henryk Chudak, Metoda krytyczna Gastona Bachelarda (1938-1948)<br>promotor : prof. dr hab. Maciej \u017burowski<\/p>\n\n\n\n<p>Jos\u00e9 Felipe Pardo Pardo, Estudios sobre la sintaxis y la sem\u00e1ntica de los adverbios en espa\u00f1ol contempor\u00e1neo<br>promotor : prof. dr hab. Halina Lewicka<\/p>\n\n\n\n<p>Monika Thieme, Les suites verbales avec l\u2019infinitif en fran\u00e7ais contemporain<br>promotor : prof. dr hab. Halina Lewicka<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1974<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Wies\u0142aw Piechocki, Metaforyka spo\u0142eczno-polityczna w dziele Jules\u2019a Vall\u00e8s\u2019a<br>promotor : prof. dr hab. Halina Lewicka<\/p>\n\n\n\n<p>Zbigniew Naliwajek, Romain Rolland w Polsce. 1910-1939<br>promotor : prof. dr hab. Maciej \u017burowski<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1973<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Florian Cichomski, Quelques proc\u00e9d\u00e9s de dislocation de la phrase chez Nathalie Sarraute<br>promotor : prof. dr hab. Halina Lewicka<\/p>\n\n\n\n<p>Maria \u0141ozi\u0144ska, Tworzenie przys\u0142\u00f3wk\u00f3w na \u2013ment we wsp\u00f3\u0142czesnej francuszczy\u017anie promotor : prof. dr hab. Halina Lewicka<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1972<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Joanna Ugniewska-Dobrza\u0144ska, O\u015bwieceniowy kryzys poj\u0119cia \u0142adu w tw\u00f3rczo\u015bci Leopardiego<br>promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n\n\n<p>Krzysztof Choi\u0144ski, Wczesny okres tw\u00f3rczo\u015bci Pierre\u2019a Corneille\u2019a. Rozw\u00f3j techniki dramaturgicznej<br>promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1970<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Ewa Bie\u0144kowska, Poezja i proza w \u201eTygodniach\u201d Guillaume\u2019a de Saluste du Bartas<br>promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n\n\n<p>Krzysztof Bogacki, Pewne typy rzeczownikowych okre\u015ble\u0144 adnominalnych w j\u0119zyku francuskim<br>promotor : prof. dr hab. Halina Lewicka<\/p>\n\n\n\n<p>Stefania Ba\u0144cer, Recepcja Verlaine\u2019a w Polsce<br>promotor : prof. Maciej \u017burowski<\/p>\n\n\n\n<p>Wojciech Karpi\u0144ski, Ewolucja bohatera w teatrze Racine\u2019a (od \u201eAndromachy\u201d do \u201eFedry\u201d)<br>promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1968<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Helena \u017bmijewska, Teorie estetyczne w XVIII wieku we Francji przed Diderotem<br>promotor : prof. dr hab. Ewa Rzadkowska<\/p>\n\n\n\n<p>Maria Joczowa, Wp\u0142yw ideolog\u00f3w na genez\u0119 tw\u00f3rczo\u015bci Stendhala<br>promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1967<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Jerzy Szczepa\u0144ski, Z problem\u00f3w stylu Paula \u00c9luarda<br>promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1966<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Adam Weinsberg-Wajda, Pochodzenie tzw. neologizm\u00f3w rumu\u0144skich<br>promotor : prof. dr hab. Halina Lewicka<\/p>\n\n\n\n<p>Alojzy Pa\u0142\u0142asz, Rozw\u00f3j form dramatycznych francuskiego teatru awangardy (1896-1960) promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n\n\n<p>Andrzej Zieli\u0144ski, Stefan \u017beromski a W\u0142ochy promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1964<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Krzysztof \u017baboklicki, Rozw\u00f3j tw\u00f3rczo\u015bci Ferdynanda Galianiego<br>promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n\n\n<p>Jerzy Parvi, Rola \u201ePar les champs et par les gr\u00e8ves\u201dw tw\u00f3rczo\u015bci Gustave\u2019a Flauberta promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n\n\n<p>Tadeusz Kowzan, Jules Renard i jego teatr<br>promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1962<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Halina Suwa\u0142a, \u201ePieni\u0105dz\u201d Emila Zoli. Geneza historyczno-literacka<br>promotor : prof. dr hab. Maciej \u017burowski<\/p>\n\n\n\n<p>Jerzy Adamski, O \u201ePucelle d\u2019Orl\u00e9ans\u201d Woltera (dokument przes\u0142anek wolterowskiego deizmu)<br>promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1956<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Zofia Karczewska-Markiewicz, Teatr Romain Rollanda<br>promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1939<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Maciej \u017burowski, L\u2019herm\u00e9tisme de Mallarm\u00e9<br>promotor : prof. dr hab. Mieczys\u0142aw Brahmer<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1933<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Halina Lewicka, Le sentiment et l\u2019expression dans l\u2019\u0153uvre de Fran\u00e7ois Villon<br>promotor : prof. dr hab. Maurycy Mann<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1932<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Kazimiera Mazurkowa, Les savants et les artistes dans l\u2019\u0153uvre d\u2019\u00c9mile Zola<br>promotor : prof. dr hab. Maurycy Mann<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1931<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Zdana Matuszewicz, M\u0142odo\u015b\u0107 poetycka Gabriela D\u2019Annunzio<br>promotor : prof. dr hab. Maurycy Mann<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1930<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Janina G\u00f3rska, La culture litt\u00e9raire de Maurice de Gu\u00e9rin<br>promotor : prof. dr hab. Maurycy Mann<\/p>\n\n<\/div><\/details><\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h6 class=\"wp-block-heading\">Rozprawy habilitacyjne<\/h6>\n\n\n\n<div style=\"margin-top:0;margin-bottom:0;height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2020<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Wanda Fija\u0142kowska, La d\u00e9rivation par \u00e9change de pr\u00e9fixes au sein du syst\u00e8me d\u00e9rivationnel polonais et fran\u00e7ais.;<\/p>\n\n\n\n<p>Ma\u0142gorzata Soko\u0142owicz, Orientalisme, colonialisme, interculturalit\u00e9. L&#8217;oeuvre d&#8217;Aline R\u00e9veillaud de Lens.<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2019<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Monika Kostro, Panie Prezydencie, Monsieur le Pr\u00e9sident&#8230; Formy adresatywne w polskim i francuskim dyskursie polityczno-medialnym<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2018<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Krystyna Szymankiewicz, Przyszli nauczyciele j\u0119zyk\u00f3w obcych na drodze budowania kompetencji zawodowej. Refleksja \u2013 Uczenie si\u0119 \u2013Rozw\u00f3j<\/p>\n\n\n\n<p>Rados\u0142aw Kucharczyk, Nauczanie j\u0119zyk\u00f3w obcych a dydaktyka wieloj\u0119zyczno\u015bci (na przyk\u0142adzie francuskiego jako drugiego j\u0119zyka obcego)<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2016<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Marcin Klik, Teorie mitu. Wsp\u00f3\u0142czesne literaturoznawstwo francuskie (1969-2010)<\/p>\n\n\n\n<p>Maciej Smuk, Od cech osobowo\u015bci do kompetencji savoir-\u00eatre (Rozwijanie samo\u015bwiadomo\u015bci w nauce j\u0119zyk\u00f3w obcych)<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2015<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Ma\u0142gorzata Izert, La construction pr\u00e9fixale de forte intensit\u00e9 en fran\u00e7ais contemporain<\/p>\n\n\n\n<p>Judyta Zbierska-Mo\u015bcicka, Lieux de vie, lieux de sens. Le couple lieu\/identit\u00e9 dans le roman belge contemporain<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2014<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Monika Malinowska, Fran\u00e7ois Poulain de la Barre (1647-1723) wobec zagadnie\u0144 swojej epoki<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2013<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Agata Sobczyk ; Les jongleurs de Dieu. Sainte simplicit\u00e9 dans la litt\u00e9rature religieuse de la France m\u00e9di\u00e9vale<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2012<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Ewa Pilecka, Verbes intensificateurs et leur fontionnement en fran\u00e7ais contemporain<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2010<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Monika Kulesza, L\u2019amour de la morale, la morale de l\u2019amour. Les romans de Catherine Bernard.<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2007<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Anna Kieliszczyk, De l\u2019explication \u00e0 la justification dans l\u2019avant-propos<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2006<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Krystyna Wr\u00f3blewska- Pawlak, J\u0119zyk \u2013 to\u017csamo\u015b\u0107 \u2013 imigracja. O strategiach adaptacyjnych Polak\u00f3w zamieszka\u0142ych we Francji w latach osiemdziesi\u0105tych XX wieku<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2005<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Izabella Zatorska, Dyskurs kolonialny, dyskurs utopijny. Francuskie \u015bwiadectwa o podboju antypod\u00f3w w XVII i XVIII w., 2005<\/p>\n\n\n\n<p>Jolanta Zaj\u0105c, Du communicatif au discursif. Apports de la pragmatique du discours \u00e0 la didactique des langues \u00e9trang\u00e8res<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2001<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>El\u017cbieta Pachoci\u0144ska, La r\u00e9alisation de l\u2019intention persuasive dans le discours pol\u00e9mique. Approche \u00e9nonciative<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>2000<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Anna Dutka, Le discours autre dans des articles de la critique litt\u00e9raire. Une \u00e9tude linguistique et discursive<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1999<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Teresa Jaroszewska, Le vocabulaire du th\u00e9\u00e2tre de la Renaissance en France (1540-1585)<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1998<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>J\u00f3zef Kwaterko, Le roman qu\u00e9b\u00e9cois et ses (inter)discours. Analyses sociocritiques, 1998<\/p>\n\n\n\n<p>Jan Miernowski, Znaki niepodobne. Poszukiwanie imion bo\u017cych we francuskiej poezji renesansowej, 1998<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1995<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Rajmunda Plata, Le th\u00e9\u00e2tre en marche de Paul Claudel.La coception du travail dans \u201eLe Soulier de satin\u201d<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1990<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Wies\u0142aw Bany\u015b, Th\u00e9orie s\u00e9mantique et Si &#8230; Alors. Aspects s\u00e9mantico-logiques de la proposition conditionnelle<\/p>\n\n\n\n<p>Henryk Chudak, Krytyka literacka Alberta Thibaudeta<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1987<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Remigiusz Forycki, Stendhal, geniusz podejrze\u0144<\/p>\n\n\n\n<p>Teresa Giermak-Zieli\u0144ska, \u00c9tude sur l\u2019antonymie en fran\u00e7ais<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1978<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Joanna Ugniewska-Dobrza\u0144ska, Problematyka post\u0119pu i tradycji w kulturze w\u0142oskiej pierwszej po\u0142owy XIX w.<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1976<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Krzysztof Bogacki, Les pr\u00e9dicats locatifs statiques en fran\u00e7ais. \u00c9tude de s\u00e9mantique et de syntaxe<\/p>\n\n\n\n<p>Jerzy Parvi, Polska w tw\u00f3rczo\u015bci i dzia\u0142alno\u015bci V. Hugo<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1974<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Halina Suwa\u0142a, La formation des id\u00e9es litt\u00e9raires et esth\u00e9tiques de Zola (1859-1865)<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1971<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Krzysztof \u017baboklicki, La poesia narrativa di G. B. Casti (1724-1803)<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1970<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Zbigniew Gierczy\u0144ski, La science de l\u2019ignorance de Montaigne<\/p>\n\n\n\n<p>Urszula D\u0105mbska-Prokop, Quelques propositions d\u2019analyse syntaxique du fran\u00e7ais contemporain en application aux romans de Robbe-Grillet<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1969<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Tadeusz Kowzan, Litt\u00e9rature et spectacle dans les rapports esth\u00e9tiques et s\u00e9miologiques<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1965<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Krystyna Kasprzyk, Nicolas de Troyes et le genre narratif en France au XVIe si\u00e8cle<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1963<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Zofia Karczewska-Markiewicz, Struktura \u201eJana Krzysztofa\u201d<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1961<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>J\u00f3zefa Kowalska, Heine a Francja \u2013 okres przedparyski<\/p>\n\n<\/div><\/details><\/div>\n\n<div class=\"lightweight-accordion has-background\"><details><summary class=\"lightweight-accordion-title\" style=\"background:#ffffff;\"><span>1947<\/span><\/summary><div class=\"lightweight-accordion-body\" style=\"border-color:#ffffff;\">\n\n<p>Tadeusz Gosty\u0144ski, Z dziej\u00f3w dawnej literatury rumu\u0144skiej i stosunk\u00f3w literackich polsko-rumu\u0144skich<\/p>\n\n<\/div><\/details><\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Doktoraty Instytutu Romanistyki Rozprawy habilitacyjne<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-no-title","meta":{"footnotes":""},"class_list":["post-489","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/comments?post=489"}],"version-history":[{"count":28,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/489\/revisions"}],"predecessor-version":[{"id":4164,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/489\/revisions\/4164"}],"wp:attachment":[{"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/media?parent=489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}