{"id":1052,"date":"2023-02-13T10:39:04","date_gmt":"2023-02-13T10:39:04","guid":{"rendered":"https:\/\/romanistyka.wn.uw.edu.pl\/?page_id=1052"},"modified":"2023-02-13T10:39:05","modified_gmt":"2023-02-13T10:39:05","slug":"zurowska-joanna","status":"publish","type":"page","link":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/pracownicy-emerytowani\/zurowska-joanna\/","title":{"rendered":"\u017burowska Joanna"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/romanistyka.wn.uw.edu.pl\/wp-content\/uploads\/2023\/02\/dr-Joanna-Zurowska.jpg\" alt=\"\" class=\"wp-image-1053\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">dr Joanna \u017burowska<\/h2>\n\n\n\n<p>Zak\u0142ad Literaturoznawstwa Francuskiego&nbsp;<\/p>\n\n\n\n<p>Starszy wyk\u0142adowca&nbsp;<\/p>\n\n\n\n<p><a href=\"mailto:jzurowska@uw.edu.pl\">jzurowska@uw.edu.pl<\/a><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>Tematyka bada\u0144<\/strong><\/h6>\n\n\n\n<p>Poezja francuska od symbolizmu do nadrealizmu;<br>teatr bulwarowy I pol. XX wieku;<br>Paul Val\u00e9ry;<br>Marcel Proust;<br>Chopin i literatura \u2013 zwi\u0105zki literackie polsko-francuskie.&nbsp;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>Publikacje<\/strong><\/h6>\n\n\n\n<p>Gide et Chopin (\u00ab Les Cahiers de Varsovie \u00bb, nr 21 Fr\u00e9d\u00e9ric Chopin et les lettres, 1991) ;<br><br>Proust et Chopin (Fortune de Fr\u00e9d\u00e9ric Chopin, 2, Varsovie, 1995) ;<br><br>Les paliers de la r\u00e9alit\u00e9 dans \u201eA la recherche du temps perdu&#8221; (Europa\u00efsche Realismen. Facetten, Konvergenzen, Differenzen. Uwe Dethloff (Hrsg.), St. Ingbert, 2001);<br><br>Marcel Proust, un nouveau critique (Perspectives historiques et m\u00e9tacritiques sur la critique litt\u00e9raire du XXe si\u00e8cle, Textes r\u00e9unis et pr\u00e9sent\u00e9s par Henryk Chudak, Instytut Romanistyki, Warszawa, 2002) ;<br><br>La Pologne litt\u00e9raire \u00e0 Paris (Autour de Bourdelle. Paris et les artistes polonais, catalogue de l&#8217;exposition, Paris Mus\u00e9es, 1996) ;<br><br>La Biblioth\u00e8que de Boy: origine et fonctions (Transfert des cultures par le biais des traductions litt\u00e9raires, AIMAV-Didier Erudition, Bruxelles-Paris, 1999) ;<br><br>La po\u00e9sie pure (D\u00e9finitions et r\u00e9d\u00e9finitions de la po\u00e9sie fran\u00e7aise (1900-1939), Textes r\u00e9unis et pr\u00e9sent\u00e9s par Zbigniew Naliwajek, Instytut Romanistyki, Warszawa, 2000) ;<br><br>Stanis\u0142aw W\u0119dkiewicz, chroniqueur des relations litt\u00e9raires franco-polonaises (La France et la Pologne, histoire, mythes, repr\u00e9sentations, Presses Universitaires de Lyon, 2000);<br><br>Paul Val\u00e9ry, Dada et le surr\u00e9alisme (D\u00e9finitions et red\u00e9finitions de la po\u00e9sie fran\u00e7aise (1900-1950), Textes r\u00e9unis et pr\u00e9sent\u00e9s par Zbigniew Naliwajek, Instytut Romanistyki, Warszawa, 2003) ;<br><br>Une fen\u00eatre sur la vie: les farces conjugales de Georges Feydeau (Grenzenlos, oprac. Ute Fendler \/ Mechtild Gilzmer, Sprache &amp; Kultur, Shaker Verlag, Aachen, 2005).&nbsp;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>Cz\u0142onkostwo w organizacjach i stowarzyszeniach:<\/strong><\/h6>\n\n\n\n<p>Komitet G\u0142\u00f3wny Olimpiady J\u0119zyka Francuskiego,<br>Comit\u00e9 de R\u00e9daction \u201eLes Cahiers de Varsovie\u201d,<br>Komitet Redakcyjny wydania Pism Baudelaire\u2019a (s\u0142owo obraz\/terytoria)&nbsp;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>Inne<\/strong><\/h6>\n\n\n\n<p>audycje radiowe i telewizyjne maj\u0105ce na celu popularyzacj\u0119 literatury francuskiej&nbsp;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h6 class=\"wp-block-heading\"><strong>Hobby<\/strong><\/h6>\n\n\n\n<p>lektura, muzyka klasyczna, spacery<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>dr Joanna \u017burowska Zak\u0142ad Literaturoznawstwa Francuskiego&nbsp; Starszy wyk\u0142adowca&nbsp; jzurowska@uw.edu.pl Tematyka bada\u0144 Poezja francuska od symbolizmu do nadrealizmu;teatr bulwarowy I pol. XX wieku;Paul Val\u00e9ry;Marcel Proust;Chopin i literatura \u2013 zwi\u0105zki literackie polsko-francuskie.&nbsp; Publikacje Gide et Chopin (\u00ab Les Cahiers de Varsovie \u00bb, nr 21 Fr\u00e9d\u00e9ric Chopin et les lettres, 1991) ; Proust et Chopin (Fortune de Fr\u00e9d\u00e9ric [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":937,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1052","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/1052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/comments?post=1052"}],"version-history":[{"count":1,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/1052\/revisions"}],"predecessor-version":[{"id":1054,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/1052\/revisions\/1054"}],"up":[{"embeddable":true,"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/937"}],"wp:attachment":[{"href":"https:\/\/romanistyka.wn.uw.edu.pl\/index.php\/wp-json\/wp\/v2\/media?parent=1052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}